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Tuesday, March 26, 2013

Jacques Pépin & Carmella Catena, one you know, one I wish you could have...

L'Ecole w/ Jacques Pepin
Great and iconic people inspire us. Some are famous some are not. Yet, the impact they leave on our lives is indelible and forever. Such is the case with Chef Jacques Pépin. You see, me and many of the chefs you now know as household names, all have our culinary careers due to the inspiration received from chefs like Julia Child, Alaine Ducasse, Paul Bocuse and of course, current king and culinary emperor, Chef Jacques Pépin.

I had a quiet lunch with him at L'Ecole recently but before we sat down, we toured the ICC in New York City, where Pépin is a dean. I watched with amusement as we walked the halls, stopping in various classes being taught. This was a rare treat for me, a lay person in this world of mis en place and strict French culinary tradition, to watch the students, instructors and fellow deans react to just his presence in the room. He stopped to check the bread, seeming the most content I'd remember seeing him as he took a loaf, turned it over and tapped it, listening to the sound to check its doneness. Then, we popped in on a cake decorating class, wishing some well, catching up with others. This was his element.

Each time we would enter a classroom, the students, and yes even the chef/instructors, would light up as the Master Chef entered, explaining to him in this brief moment in time, how they had seen this or that he had done, or that the reason they were attending was because of the inspiration they received as their mom, or dad, or in my case, my Grandma, introduced them to the culinary world through him and his endeavors. A moment, they explained, that was shared with one of his 'many' moments, where the two worlds collided and theirs was changed forever. The awakening in them of this culinary dream, the setting of their course or impact it had their future, leading them to this adventure.

Such is the case with me. In meeting Chef Pépin, I realized that my current path had been set long ago by he and someone very dear and personal in my life. My grandmother, Carmella Catena. After a recent meeting and subsequent lunch with this legendary chef, I recently realized why I am now doing what I'm doing. Seems I grew up a foodie. My childhood years were centered around the table, a meal. The kitchen. Now, I had no idea I was a foodie until the word actually hit the lexicon of our everyday lives, but when it did, it described me perfectly.

As a child, my mom worked and I came home from school each day to my grandmother. We had a very special relationship. She was faithfully there each day, from the time I was six, until I was 14-15. Each day when I walked through that door it was her face I saw. Some of the most formative years of my life. It is only now I understand that when my grandmother watched me after school every day, I had actually been her sous chef. "Okay now add the egg, Louis, slowly," as she mixed the dough when we were making her 'knots.'

She was famous for those cookies....Grandma's Knots... I remember, I always begged her to let me lick the bowl of homemade icing after she would dip all the cookies. She always seemed to have just enough to satisfy my sweet tooth. Such a simple recipe too. Food coloring, confectioners sugars, orange juice and love. You can't forget the love or it just doesn't taste the same.

Each week, my family had a traditional meal together one night a week. Thursday. Macaroni night. My mom, my grams and my Aunt would take turns hosting the meal at there respective houses. Two weeks, then it would move to the next house. When it was at gram's or my mom's, gram would do the cooking of the sauce, or gravy as it's referred to in my house. In my family there was gravy. Three kinds: Marinara and Meat for the reds, and Brown. When we said 'gravy' most times we were referring to what you all call spaghetti sauce. That's just the way it was. It was here also that I was sous chef before I knew what a sous chef was.

She would add the ingredients to the bowl for meatballs, and tell me, "Get in there and mix it with your hands, they are the best tool in the kitchen" or, "Turn the meatballs gently," followed by, "and stop eating them before we get them into the gravy!" She would always laughingly scold me as we would sear the meatballs to par cook them before dropping them into the sauce. Now, folks, I love fried meatballs! She would let me turn them in the pan and I would sneak eat all the little ones and she would scold me, but not really mad. I later found out as an adult that she would make extra, counting on the fact that I was going to eat some while we were cooking. I also,  as an adult, realized I was taught the difference between searing and sauteing, how to braise, to make stock, to bake. I just didn't realize what was happening then. But she did and she had so much love. She taught me love was as important ingredient as than anything else you were putting into your dish. Maybe more so.

She was a quiet, affable woman, who was quick with a smile and never seemed to have a bad word to say about anyone. Just a gentle soul whom everyone loved. She was a hard working mother of 4 who worked most of her life in a sewing factory, with long hours and sacrifice. I also remember she had a helluva right arm. No, not throwing. Whacking me on the arm with a wooden spoon. I was, let's say.....feisty. At seven, I backed the car into the side of the house while moving it so I could play basketball with my friends. It's safe to say, she had her hands full and I deserved every whack I got. She broke a lot of wooden spoons on me.

Now that said, we spent a lot of time together and had an excellent and special relationship. I remember, as if yesterday, sitting in the living room after school each day, watching Jacques and Julia and the The Galloping Gourmet with Graham Kerr with her. Well, at least on the days I did not have baseball, or football practice. I was 7-8 yrs old. When I think about it now, it was my grandmother who truly turned me into a foodie. She was the one who introduced me to all those cooking shows.

I grew and as a young adult, I was into music, sales, finances, travel. I liked eating, but one would not have called me a gourmet by any stretch. When life's curves and unexpected twists sidelined my previous career choice, a great friend, Elaine, awoke in me the 'foodie' gene and I seemed to fall into this culinary lifestyle as if putting on an old comfortable sweater. I never gave it much thought, but after years of watching my mom and grandmother in the kitchen, I guess the culinary world and a love for the kitchen is ingrained in me.

I recently chatted with Chef Pépin at an event in Cleveland and during that conversation, it hit me. The reason the foodie sweater fit so well is because it had been crocheted by my grandmother years ago. We made plans to have lunch that day at the famed French Culinary Institute (now called The International Culinary Center). I was thrilled. You know folks, there is a reason he is now, as he put it, 'a rock star.' It is through him and, the influences and inspiration of Julia, Kerr and those early acclaimed chefs, that many of the chefs and food personalities you now know today, pursued their culinary careers.

He smiled at me and explained, "Years ago we were just cooks, trying to simply make good food, but today, I have to laugh. With the popularity of the foodnetwork, with all the great chefs, like Bobby and Mario and Michael, I am now 'touring.'" He smiled, "Back when I started the show, we didn't even know if anyone was watching," he continued, "now, with the food shows, we chefs are all the rage. I travel all over sometimes alone, sometimes with Claudine and I am having fun. And I have been put in the archives in Boston University, it's nice if a bit strange."

He had mentioned this twice now in our conversations, pointing out that many people were not aware that he has taught at Boston University for almost 31 years. I asked him what he meant by 'if a bit strange' and he expounded, "I was alone in my house, you know and they had asked me to put together these things, mementos, writings, tapes, things to go into a box to bring to the school and it was weird, I, thought, 'You know, I'm not dead yet,' and he laughed, adding, 'who knows I may need these things. To put your life in a box..."

The Jacques Pépin Collection spans an entire career in kitchens around the world, from his earliest Certificats d'Emploi as an apprentice in post World War II France, to teaching career at Boston University. The collection includes extensive manuscript drafts of Pépin articles, essays and books, including The Apprentice, and The Art of Cooking. Correspondence and photographs, both personal and professional, are plentiful and feature the likes of Julia Child, Craig Claiborne, Laura Bush, The collection also includes vast holdings of Pépin's recipe books, printed materials featuring Pépin, interviews, datebooks, menus and artwork by Pépin, awards, and memorabilia.

Also included is a large number of personal and professional videos featuring Jacques Pépin's Kitchen: Cooking with Claudine, Julia and Jacques Cooking at Home, Today's Gourmet with Jacques Pépin, and Jacques Pépin: More Fast Food My Way. He winked at me, "But of course, it is a great honour, I am in with such people as Dr. Martin Luther King, Jr., Alistair Cooke, Dan Rather, many others and me, just a cook."

I found during my recent conversations with him, in Cleveland and New York, he is always humble, a bit self deprecating and even a bit mischievous in his thoughts and remarks about himself. For instance, when talking with me about he and his fellow deans at the ICC, famed in their own right, Chefs Alain Sailhac and André Soltner, he referred to himself and the two of them as "the dinosaurs, and 'the three stooges of culinary." Quite a description of three master chefs who are among the greatest French chefs alive on the planet today, with a combined total of two hundred years culinary expertise.

We talked about his thoughts on cookery today and the sudden explosion in the popularity of cooking shows. He explained "Well on one hand, it has really made the chefs the star with all the shows and competitions. Back then, when we started out, Julia and I, it was about just showing people how too cook. I'll tell you a secret not many people know," he smiled, "we had no script or recipes...we would just wing it! Sometimes those were the best shows. At the same time, the public's awareness of culinary and the influx of new students and chefs is a good thing, so overall I believe we are headed in the right direction."

I asked if he thought about slowing down, and he answered immediately, "Well, who knows how long this will last, you know. I love the live shows, the interaction. It is nice to know that there were people out there buying the books and watching the shows," he winked, "and it's an honour to greet them one on one." I have seen that effect; folks looking up on stage with a big grin, re-living some memory or moment when Chef Jacques made them cook better, or feel better, or hungry. I was there myself when asked to lunch with him.

For me folks, this was true foodie dream come true. As a child watching Chef Pépin with my Grams, and through all the years of watching his shows as an adult, following his career, to now, being 'in' the food entertainment business, the thought that one day I would be sitting with him sharing an intimate one on one lunch was childish fantasy, a dream to not even dare dream. But here I was. We talked pure food, sharing thoughts on life, his wife and daughter, life as a chef, teaching, Julia, my life, etc.. When this moment finally came, I chose to be in it, as opposed to attend it for the sake of publication. And, I was rewarded with a great moment in my life, bringing together the real reasons I do what I do; the pure passion for the food, and most importantly, the simple acts of cooking together and sharing a meal that can help create the human bonds that shape us. Food in the right hands and with the right motive and presentation can be a unifier. For me, I now know that not only my Grams, but through her, Chef Pépin, were very influential in the career path I have finally chosen, the passion I have for all things culinary and the person that I have become, both personally and professionally.

I thought about giving you an elaborate piece here, possible video, long interview, but then as the afternoon wore on and Jacques and I talked about things it dawned on me that while I should share the moment and it's impact on me with you, this one I would keep close to the vest. A little treasure that I could take out once in a while and feel all those good feelings and re-live all those great memories of cooking in the kitchen with Carmella. The love, the laughs, yes even the scolds and broken wooden spoons.

Thanks Grams, I miss you. And thanks Chef, for taking the time to remind me what's important. Told ya, iconic people will do that. They will make you lift your game, make you think and hopefully impact your life for the better. I really am a pretty lucky guy.

Bon Appetit

Lou

Monday, February 04, 2013

These two sweet treats will have your Valentine eating out of the palm of your hand....hmmm....this could get interesting!


I thought I'd post a special treat for Valentines day and because this, February, is the month of amore. The challenge for these GGM chefs, Pastry Chef Paw Mikkelsen and Chocolatier Ingo Wullert was to use an imported blood orange juice imported from Sicily. Well, the phrase great minds think alike has never been more true. Paw and Ingo have brought two wonderful variations of a blood orange mousse that will have your lover literally eating out of the palm of your hand. Hmmm.....this could get interesting. And, the great thing about them is that while they may look intimidating, that's just due the presentation. With a just a little time, patience and practice, you too can get fancy in the kitchen. The recipes are easy to follow and the home cook will have no problem.

What could be more romantic? The one you love, luxurious sweets, succulent fresh berries, combined with a glass of champagne........soft lights........ ahhh love!

From Chef Paw Mikkelsen:

Blood Orange Mousse

Ingredients
7 sheets gelatin
1 quart heavy cream
2 1/2 cups puree or juice of blood orange
2 oz lemon juice
2 cups egg whites
1 lb 2 oz sugar

Method
Dissolve gelatin in cold water. Remove gelatin sheets and squeeze squeeze out excess water. Melt the gelatin down in the blood orange juice over a double boiler and add the lemon juice.
Whip the egg whites with half of the sugar. Add the rest of the sugar before whites become a meringue. Whip to a soft peak. Add juice and gelatin in to the meringue. Fold this entire mix in to the cream.

Put in heart shaped molds or in a pan. (If using a pan, cut shapes out after freezing). Freeze and unmold mousse. Serve with anglais sauce or a fruit sauce.

From Master Chocolatier Ingo Wullaert

Dark Chocolate Blood Orange Mousse

Ingredients
16 oz heavy whipping cream
12 oz dark chocolate (drops)
5 oz whole milk
2 oz blood orange juice
1 oz orange liqueur
½ oz lime juice

Method
Combine in microwave safe bowl, milk and chocolate drops. Heat in the microwave for about 2-3 minutes. Take out and stir the mixture until smooth. Add the blood orange, liqueur and lime juice. Stir until blended.
Whip the heavy cream into soft peaks. Fold the heavy cream into the chocolate mixture. Pour in heart shaped cups, if available.
Refrigerate mousse to firm texture. Decorate with cocoa powder, chocolate or fruit.

I hope you have a wonderful Valentines day and please let me know if you makethese as I would love to know how they came out.

As always, Bon Appetit,

Lou

Friday, January 25, 2013

Anise...

This month I was intrigued by an old tradition I have been witnessing since I was a little boy. At the end of every family meal, my dad, uncles and grandfathers would partake in a ritual. The serving of the espresso or Demitasse. It was a very serious moment each week, as all attention turned to the bubbling, silver, two tiered pot on the stove. Always, as if by magic, along with the coffee and desserts, appeared the bottles of Anisette and Sambuca. I remember thinking they always looked the same, never empty, never full, as if once returned to their place in the cupboards, the 'anise' gods would come and replenish the vessels, ensuring my family a never ending supply of licorice flavored goodness.

Each of my family members had their favorite, my dad preferring Anisette, while my uncle chose the more pungent Sambuca. To a small boy, the aroma was mesmerizing, evoking images of long curly black strands of licorice that danced in my head. (Sugarplums...what sugarplums?) Sometimes, we were lucky enough to get a taste, or watch one of my uncles fill a shot glass, float a coffee bean on top and light the liquor with a match, creating that cool blue flame. I used to love that part. I've even seen my aunts or grandmother dip their finger in it and rub the gums of teething infants. Looking back now I understand why all the new babies in the family were so well behaved....!

So what is anise, or aniseed? (Not to be confused with star anise, a spice that closely resembles anise in flavor that is obtained from the star-shaped pericarp of a small native evergreen tree of southwest China.) It is related to caraway, dill, cumin and fennel, the latter sharing its licorice flavor characteristics.

Native to the Middle East.....I will digress here a second. As I take this exploration and discovery of all things culinary with you, I marvel at how many times I have started a feature on an ingredient, food, method or staple of our everyday lives that I have begun with that phrase, 'native to the Middle East'. That and 'according to Pliny the Elder.' This guy was a 1000 years ahead of Savarin and Escoffier, and he knew his food. Sorry..back to the topic...In the Middle East anise has been used as a medicine, a flavor for medicine, in soups and stews, its licorice like flavor popular in candies and its oil used in liqueurs. We are going to talk about some of the liqueurs here today but as you have come to expect, origins of a particular product are of the utmost interest and import to us here at GGM.

Ancient Romans hung Anise plants near their pillows to prevent bad dreams. They also used Anise to aid digestion and ward off epileptic attacks. Europeans use Anise in cakes, cookies and sweet breads. Colonists in the New World used it as a medicinal crop too. Here comes my Pliny reference..."According to Pliny the Elder," anise was used to help you sleep, chewed with alexanders, left, (tasting similar to celery) and a little honey in the morning to make you approachable by getting rid of your bad breath. They also used to mix it with wine as a remedy for scorpion stings, but I'm pretty sure scorpion incidents are on the decline and most of us can stick to drinking and cooking with it.

In Indian cuisine, no distinction is made between anise and fennel, and I was at first confused and mistakenly thought them one and the same for this very reason. Therefore, the same name (saunf) is usually given to both of them. Some use the term patli (thin) saunf or velayati (foreign) saunf to distinguish anise from fennel.

In the UK, anise has been in use since the fourteenth century, and has been cultivated in English gardens from the middle of the sixteenth century, but it is grown on a commercial scale in southern Russia, Bulgaria, Germany, Malta, Spain, Italy, North Africa and Greece which produce large quantities. It has also been introduced into India and South America. The cultivated plant being considerably larger than the wild one.

In Virgil's time, anise was used as a spice. Mustacae, a spiced cake of the Romans introduced at the end of a rich meal to prevent indigestion, consisted of meal with anise, cummin and other aromatics. Such a cake was sometimes brought in at the end of a marriage feast and is, perhaps, the origin of the UK's spiced wedding cake.

In Germany, many cakes have an aniseed flavoring, and anise is also used as a flavoring for soups. It is largely employed in France, Spain, Italy and South America in the preparation of cordial liqueurs. The liqueur Anisette added to cold water on a hot summer's day is very common and a refreshing drink. It is also one of the herbs that was supposed to avert the 'Evil Eye.'

Anise Based Liqueurs

Arak
Clear in appearance, it is produced and consumed in the Eastern Mediterranean and Northern African countries, Lebanon, Iran, Syria, Israel, the Palestinian Territories, Iraq, Jordan, and Egypt. Arak is usually not drunk straight, but is mixed in approximately 1/3 arak to 2/3 water, and ice is then added. Arak is usually served with mezza, which could include dozens of small dishes, which many arak drinkers prefer as accompaniment rather than main courses.

Anisette
A sweet liqueur made by macerating 16 different seeds and plants and blending the maceration with a neutral spirit and sugar syrup. Anisette should not be confused with pastis, which is made using star anise (the fruit of the evergreen, Chinese star anise tree) rather than aniseed (the seed of the Mediterranean anise plant, a member of the parsley family). Anisette diluted with water is generally clear, while undiluted pastis is transparent yellow. It should be served in the manner you like it. Room temperature is preferred by some, others like it chilled.

Their exclusive recipe, handed down from generation to generation, uses green anise from the high plains of the Mediterranean and more than 10 other plants, fruits and spices, to create a blend of natural aromas and flavors of the South and the Orient. Green anise is the basic ingredient of Anisette; it comes from the sunny and windy Mediterranean basin, where the climate and soil are particularly well suited to its cultivation. Ten other rigorously selected aromatic plants give this 100% natural liqueur a subtle, delicate and smooth flavor.

Absinthe
Absinthe originated in the canton of Neuchâtel in Switzerland. It achieved great popularity as an alcoholic drink in late 19th- and early 20th-century France, particularly among Parisian artists and writers.Although it is sometimes mistakenly called a liqueur, absinthe is not bottled with added sugar and is therefore classified as a spirit. New Orleans also has a historical connection to absinthe consumption. The city has a prominent landmark called the Old Absinthe House, located on Bourbon Street. Originally called the Absinthe Room, opened in 1874 by a Catalan Cayetano Ferrer.

The Absinthe Fountain

Traditionally, absinthe is prepared by placing a sugar cube on top of a specially designed slotted spoon and then placing the spoon on the glass which has been filled with a shot of absinthe. Ice-cold water is then poured or dripped over the sugar cube so that the water is slowly and evenly displaced into the absinthe, typically 1 part absinthe and 3 to 5 parts water. During this process, components not soluble in water (mainly those from anise, fennel, and star anise) come out of solution and cloud the drink. The resulting milky opalescence is called the louche (Fr. opaque or shady.) Releasing these components allows herbal aromas and flavors to "blossom" or "bloom" and brings out subtleties originally over-powered by the anise. This is often referred to as "The French Method."

Ouzo
Some claim it may date back in one form or another to ancient times. Its precursor possibly is tsipouro, a drink distilled throughout the Byzantine Empire and continued throughout Ottoman times.
Traditionally, Tsipouro is said to have been the pet project of a group of 14th century monks living in a monastery on holy Mount Athos. One version of it is flavored with Anise. It is this version that eventually came to be called Ouzo.

Interestingly, all the beverages here, while sharing the licocrice like characteristics of anise, are quite unique in and of themselves. Regardless of your personal preference, if you are a lover of licorice, then these are the cordials and aperitifs for you. Enjoy!

Bon Appetit,

Lou
Sourceswww.turismomadrid.es, www.wildflowersofireland.net, www.arabicliquor.com, www.wikipedia.org