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Thursday, March 15, 2012

An Up Close & Personal talk with The Cake Boss, Buddy Valastro

Photos were provided by the Valastro family & TLC..

Tradition...a very important word for a young man growing up Italian in Northern NJ. If only because when we heard it we now knew we were in for one of those stories about the good ole days and "not like you kids today". When our father or uncle, or grandfather pulled the 'tradition card' you would have to stay a spell and listen. In an Italian household, especially those with a specific craft or skill set that runs through generations, such as mason, or carpenter, baker, car mechanic, art dealer, or whatever was the specialty of a household, while all families wished better for their sons & daughters, Papa was always sneakingly hoping the kids would come into the 'family' business.

Need some proof? Okay:. Baldini & Sons, Vincenso & Sons, Bartulli & Sons, Palucci & Sons, Martini & Sons, & Sons & Sons & Sons. Nuff said? There are many staple Italian restaurants in the northeast and elsewhere, where upon entering, you are facing fifth (5th) generation family members who are taking NANA & PAPA'S dream into the 21st century with time tested family recipes and wearing the family name proudly.

Some of us rebelled from tradition, wishing to make our own way, success or failure. Others listened. Oh thank God for those who listened, so as to save a rebel like me when I need a sfogliatella with which to drown my sorrows. Bartolo Jr. “Buddy” Valastro is one who listened. Or, maybe listened and rebelled at the same time. He's passionate about the bakery he inherited from his father and has worked hard to preserve a tradition. He is passionate about his bakery, Carlo's, his art, his pastry, his competitions on Foodnetwork's Challenge, still recalling when we talked, "maybe I should of done this and used more fondant here," as if the event were just yesterday. Today, Buddy is an accomplished master baker and cake decorator and star of the hit TLC reality show Cake Boss. He's often asked to demonstrate, compete, and teach his craft around the country. In his 10,000 sq ft. state of the art facility, Buddy and his staff turn out thousands of wedding cakes, specialty cakes, and pastries weekly.

Through all this, Buddy is most passionate about his family. His legacy to his father, and dedication to the rest of his family and community are a throwback. To old world values of commitment, loyalty, love, dedication, and yes... tradition. From an outsiders perspective, but being one who is very familiar with the dynamic of the Italian father-son, mother-son relationship, it is my opinion that the most important tradition that Buddy has kept of Bartolo Sr. & matriarch Mary Valastro actually has nothing to do with the bakery at all. It's that of being a good decent, hardworking guy who loves and takes care of his family and upholds the integrity of the family name.

The Interview

Lou: We all have seen the relationship you have with your mom. Tell us about your relationship with your dad, outside of the bakery.

Buddy: My dad was my best friend before he passed away. We did many, many things together. We went fishing together, we bowled together, we took a trip together. He wanted to show me where he was born, show me that he succeeded. He was a little poor boy from Sicily, who was born in this shack, came here with nothing and worked hard. It was like a life lesson he taught me. My father instilled values in me and made me the man I am today in so many ways.

When he died, the wake was for three days. When I tell you there was a line, up the block, around the corner, just people waiting to see him. I realized he touched so many people's lives. It was the little things, "I went out of my way for this one, I made a cake a little extra special for this one, or I made a phone call for this guy." I saw the love and respect that everybody had for him. He didn't do much, well he did, it was just little things that really impressed me.

Lou: He was just being himself.

Buddy: Just being who he is. I'll tell you a really good story: When my dad died, my mother and I were at my house. Our landscaper, who was our landscaper for 20 years, came and knocked on the door. He was crying that my father had died. I remember being a kid and my father telling me, "Buddy go get them (the landscapers) iced tea, get them egg sandwiches, get them a beer." He would sit down and have a conversation and a meal with our landscaper. My dad died in March, there was snow on the ground and the landscaper came crying telling us he was so sorry for our loss. He said, "I want you to know I'm going to come here tonight and I'm going to plant all flowers." My mother says, "No, absolutely not, we don't want to do that."

Lou: We're taught that. We don't say yes.

Buddy (laughing) : He said, "When the boss comes here for the last time, I want to make the place the way he liked it. I'll come back the next day and rip every flower out, but when he comes past in his casket, I want his house to look the way he liked it." That man sat outside my house with blow dryers, thawing out the dirt, to plant flowers and he did. You can understand the magnitude of the man that he was.

Lou: It says a lot about who he was for someone to go to such lengths to show their respect. You And I, we grew up in the same house, just different moms. We as Italians understand the ability to spend 24 hours a day with our family and not kill each other. How did you and your family deal with being together all the time? We're not talking about now, we're talking about when you were growing up. If you weren't home you were at the bakery, if you weren't at the bakery you were home. How did your mom and dad balance that for you growing up and giving you a normal life?

Buddy: Certain things in my family and my household are traditions and seemed normal to me because we didn't know any different. Christmas morning the bakery was open. We weren't toasting eggnog like everybody else. My dad would work and we would wait until he came home and opened our gifts together. (Someone in the background tries to talk to him and he responds with, "Oh.....I am in an interview, I cannot be disturbed.")

Lou: It's just like the TV show (laughing).

Buddy: Yeah, basically. That was a sense of normalcy to us. There were times when me and my sisters wanted to kill each other, or they would pick on me. No matter what, my parents instilled the value in us that said, "They're your family." Even to this day, some of my sister's drive me crazy, but I would jump in front of a bus for one of my sisters. The only person who can yell and scream and call them crazy, is me. Nobody else, you understand what I'm trying to say?

Lou: We know that you worked in the bakery from a very young age. There has to be a time when you night have thought, "I want to do something else." What was it?

Buddy: Honestly, I always wanted to do it. Dad always tried to keep me away from it. When I was young my dad said, "I don't want this for you. You're going to go to school, you're going to be a somebody." When I was twelve (12) years old, I got into trouble, not bad trouble, with my friends. After that he said, "You don't like school, you don't like this, you're going to work. You want it, you got it." He tried to scare me straight. He brought me to work. I loved it, it was like my calling. I could tell he was surprised because I was great at it. Instantaneously I picked things up. I remember him, I was 14 or 15 years old, and he used to have people come pick me up so I could work, because I was needed. He'd send Jimmy to pick me up 4 o'clock in the morning.

As my dad, before he passed away, got sick, it was just one of those things that I was given those responsibilities. Here I am 14/15 years old, it's around the holidays, I'm cuttin' school like 4 or 5 days, not that we did much the week, but I'm cuttin' school to work. Which was completely opposite from most kids. If they were cutting school it was something that most likely would get them into trouble, but you were going to work. I remember my first day at work, my father wanted to teach me humbleness. I asked if I was going to make cakes. He brought me into the bathroom and said, "Clean the toilet bowl."

Oohh. That's humbling.

That was my first day. (laughing) That's what I did. It was very important to him that I knew all aspects of the bakery. I knew what it was like to be the pot washer, the delivery guy, the cake decorator, the mixer, the baker. You don't see it much on the show, but I'm a really good baker. I really understand mixing, I'm a bench man, I know how to work with dough. Anything, danish, croissants, you name it I can do it without a problem. All parents say the same thing, "I'm working really hard, I want you to be somebody." It could have been my father saying that.

When you first started, and he saw that you had a love for the bakery, even though he said to you, "I want something better for you," did you get a sense that he was really proud of you following his tradition?

Absolutely, he was so proud of the things I could do. Sometimes he wouldn't tell me, he'd tell his friends.

They don't want us to get a big head (laughter).

He always wanted to keep me grounded. His friends would tell me, "He's so proud of what you can do." Believe it or not, when it came to cake decorating, I was almost exceeding what he could do.

You said, "If somebody cut you, you would bleed icing."

In his defense he didn't have the mediums that I have. I was way ahead of my time. I encountered problems with some of the recipes that he had and I reformulated them, like the butter-cream recipe.
The old timers had a different mentality, it was all about volume. They used to throw the butter and shortening in the bowl, whip the shit out of it and get as much as they can. Yeah it's great, but the next day when you go to ice a cake, it's going to look like crap. I went around it and called the shortening companies up and found the breaking points. How long it should be mixed, what the temperature should be, what the ratios are, you know what I'm saying. I went to the science end of it, things that my dad wouldn't have understood. I changed a lot of recipes like that. Once I started changing things like that, I had better mediums to work with and I became excellent. I had 50-60 wedding cakes a weekend to practice on. I used to squeeze 800 pounds of butter-cream a week through a little tube. I had forearms like Popeye. (Laughing)

What was it like for you being the only boy, not counting your dad, in a house full of girls?

I have to say, I didn't really compete with my sisters. My sisters never had anything to do with cake decorating or baking or anything. They always just did the store front. My dad's theory was the guys were in the back and the girls were in the front. Now I have a bunch of girls working for me and my dad is probably rolling over in his grave. (Laughing)

That's the bakery, how about at home.

I grew up in an Italian family. I was the baby and the only boy. I never did nothing. (Loud laughter by everyone) I was a spoiled brat! It's funny too, sometimes my brother-in-laws get mad, because when I go to my sisters' houses, they sit me down and they cater to me. It's like it's ingrained. If I sit down and say where is the salt, they'll jump up and get me salt.

You're the godfather of the table.

Yea, (chuckling) but that's how me and my dad were.

We know you were very close to your dad, but at 17 when your mom handed you the reins, not just for the bakery but the family too, how did you cope with that? That's a lot of pressure.

It was a lot of pressure, but my family helped me through it. I'm not going to try and say I did it all on my own. There were a lot of battles, and a lot of struggles. I had a lot of bakers who didn't want to respect me.

Were you overwhelmed a bit, we're not talking about the bakery? You're 17 and you're kind of the patriarch.

And I lost my best friend. My dad was like a living god, a legend. It was like he could walk on water. I had really big shoes to fill.

How did you handle it?

There were times I didn't know what the hell I was going to do. There were times I just wanted to run away and never come back. My wife says, "You take care of everything." If I don't do it, who's going to do it for the family.

Did you ever resent that?

I think that God gives certain jobs to certain people who can handle them. There are people who are doers and there are people who are not. I'm the kind of person who can handle it. Sometimes I find myself struggling, overstressed or overworked, but God made me a worker and able to handle it.
What am I doing this for? Everything I do now, I'm doing it for my kids, my wife, my sisters, my nieces and nephews. I always told my dad, we used to kid, one day I'm going to make this bakery a household name. I remember him laughing as we looked at wedding cakes in magazines, saying the cakes are beautiful. He said, "Maybe son one day we'll be in magazines. I said, "Dad, I promise you, we'll be in magazines. I'm going to do whatever I have to do." I knew that I had talent to do it.

You've talked on TV and on the Foodnetwork Challenge, about carrying on your father's legacy and taking it to the next level. When you took over, did you hope you could do it, or did you know you could do it?

At first, it was I hope I can do it, then it turned into I know I can do it. The one thing we had a lot of problems with was the Sfogliatella, it's the hardest Italian pastry to make. If somebody comes in and says they are an Italian baker, you ask, do you know how to make Sfogliatella? If they tell you yes and they know how to do it, then they're good. That was always the test that my father taught me.
We were having problems with them because my dad always handled them, I was so frustrated. I remember falling asleep one night, it was the first dream I ever had of my father, it was weird. Being Italian, weird shit like this you'll get, my father comes to me in the bakery. I said, "Oh my God dad, wow, I'm so happy to see you. Where have you been?" It was probably six months after he died. He says to me, "I'm not here to bullshit with you." (We're laughing at this.) He said point blank, "I'm here to show you how to pull Sfogliatella." I get chills when I think of the story. We started working side by side, doing the motions. As my hands moved, his hands moved, it was the same thing. By the time we were done there were two of me. He passed the torch to me, kind of. The next day I went in and no problem.

My next question was going to be what got you through that time, but I think you answered that.

I've always been a lucky guy. I believe in faith and that good things happen to good people. I always go out of my way for people. You don't have to publish this, I have a homeless guy that I see every day and I basically give him money to eat and for clothes and stuff. I remember being young with my dad, he'd always give to the homeless. I was probably 8 years old and I asked him why he always gave to the people.
He said, "First of all I know what it's like to be poor and hungry." I don't but he did. He said, "This could be Jesus or God asking me for money. I have a pocketful of money and I'm not going to give this guy some to eat?" It made so much sense to me. From that day forth, anybody who asked me, I always stop and always give. I believe that if you are good in life, good things happen to you.

We're going to talk more about your charitable side a little later. So here I am, interviewing you, "The Cake Boss" and right after we're done, the crew from TLC is here and you start shooting without thinking about it. Put yourself in your dad's head and tell me what he would say to you? How do you think he would feel?

He would be so friggin' proud. What an accomplishment. To see what I've done and where I've taken things. My mom often cries and says, "Man, if only your dad could only see what you did." Listen, I was given a great opportunity. I had a thriving business, we've been around almost a hundred years, but I took that business and I brought it to another level. I can say that proudly. I can say that I just didn't inherit my father's business, and I don't work, and I'm lucky. I broke my ass and made this happen.

You took the legacy and you're turning it into something bigger.

Exactly.

Most people don't understand the dynamic of Italian families, and I know you are very close with your mom and your sisters. Your persona on TV is tension and a lot of yelling. for us , that's completely normal. (Lou) We talk at a very high level, even when we are happy with each other. It's when we don't talk to each other that you know we are upset with each other.

Me and my sisters, we could fight in the morning and have dinner that night (We laugh).

My sister and I are exactly the same way. What would you say to those fans and viewers that perceive you as always being angry and yelling to make them understand that that's normal.

First, you've got to put them in my shoes too. Right off the bat, I'm in charge of 40 people. That in itself is a problem.

Most of them Italian.

Yeah, (laughing) number two, I never thought it would be this bad, I have to put in my schedule time to pee. This was the only hour I had (8:00 a.m.) otherwise we would have had to do this interview at 10 o'clock at night.

I appreciate you taking the time.

It's not a problem. I guess when I get bothered with stupid things, I fly off the handle. You'll notice I have employees for so many years, if I was that bad of a guy, do you think I'd have employees for 40 or 50 years? My workers would bleed for me. They would go to hell and back because I've been there with them. I'm not the kind of boss who barks out orders and leaves.

You would bleed for them.

Absolutely I do. Down and dirty. When push comes to shove, on personal levels and everything else, they'll come to me. Sometimes I'm a boss, a financial counselor, a financial helper, whatever they need, they come to me. Anything within my means, I do. They're having problems at home and need a day off, they're over stressed, it happens, it's human nature. But you have to be willing to take the good with the bad. It's the same with my sisters too.

There are a number of episodes where you and Mary were going at it. I was thinking, there it is, that brother/sister thing.

Absolutely. You know what? My sister inevitably knows that I know best. (chuckles) Mary is a perfect example. Mary is a good person. I don't want people to perceive her as a bitch. I want people to know all the good she does. Is she a pain in the ass? Yes, hands down, but you have to see how much good she does. Mary would be the first one to give you the shirt off her back.

That doesn't sell episodes unfortunately in some cases. It's a persona.

That's true too, but besides episodes, it's just in life. So I'm like, "Look Mare, why do you have to be a bitch?" "I don't care what people think." (Mary)
"Well I care. You're really not a bitch. So why should people think you are one." (Buddy)
It was always about my image, even before the show. I want people to say, "Hey, Buddy, he's a good guy, he does what he's gotta do. He works hard, he's a family man, he's a good guy."

You're running Carlo's bakery to your father's standards, TV's not in the picture, how did you meet Lisa?

(You can hear the smile in his voice.) My cousin was here from Italy and her parents were friends with them. He was having dinner at her house and I stopped there to pick him up, we were going out to a night club. I was 23 and my wife was 20 at the time and couldn't get into the clubs. My cousin says me, "Lisa's here, do you think you could get her into the club?" I was like, yeah no problem, I'll get her in. We went dancing that night and we kind of hit it off. Boom, that was it. We were married a year and half later.

Did she get free pastries when you were dating?

It's funny, she did. She always knew me. It's north Jersey, everybody knows everybody. She knew who I was and about the bakery. She was a very old fashioned girl. She wanted to be a housewife, she didn't want to work. She was looking for certain things and I was looking for a girl like that. I was a spoiled brat, don't get me wrong, I was working like dog. But at home I didn't pick up after myself or worry about anything and not everybody understands that.

Did you woo her with sfogliatella or cannolis?

(He chuckles) It's funny, she's one of my biggest critics. She's a pain in the ass when I do things. I'll ask her if she likes something, she's go 'eh.' She likes the cakes, likes being part of the family. She's a good girl.
We got married (a year and half after we met) and she's been supportive of everything. Even for her to just deal with me, I work a lot.

You've never worked anywhere except the bakery. Long, long hours, you're there early in the morning until late at night. At least Lisa knew what she was getting into. How did you squeeze in time to date?

When I was in my early twenties I felt like I had a lot more energy. It was weird, I'd get to work at 6 in the morning and work until 5 or 6 at night. I'd go home, eat and sleep until 10 or 11, go out till 2 in the morning, then go home and sleep or a couple of hours. It was weird. I had it down to a science, a system. After I started dating Lisa, instead of going home to sleep, I go home, then spend some time with her and then I'd be at work. She was a home girl. She just wanted to be married, that type of lifestyle. We go out for dinner and go dancing once in awhile. For the most part, she was just content spending time with me.

When you decided to ask her to marry you, who did you tell first? We Italian guys, when we decide to marry a girl, we have to tell somebody.

My mother. My mother helped me go pick out the ring.

How did you propose to her?

On one knee in my house. I was going to do this big thing in front of the families, but I had the ring and I just wanted to give it to her. I was just so excited. We had a really wonderful evening and I just said, "Hey, I love you." I asked permission too.

So being a good Italian boy, you to talk to her parents. How many cakes did you have to pay for her dowry?

(Laughter) Lots of cakes, lots of cakes. My in-laws are great. They are like us. I didn't marry my wife because she was Italian, but it made things a lot easier. In the sense that she understood the traditions, and this and that. I went and asked her parents and they were really happy.

You asked them before you asked her?

Yes, absolutely.

So they knew before she did.

You hafta. You hafta have the father's permission. I was actually shooting pool with my father-in-law in his basement. I asked him and he was ecstatic.

Did you make your own wedding cake?

Absolutely, it was huge. I worked two and half weeks just on the flowers.

Tell us about the day you told your mother she was going to be a grandma.

It's kind of weird on that because she has so many grand-kids. I wasn't the first, but she was really happy.

Well, you were the baby of the family.

Anyone one of us she is happy. But there are just so many of them. (Laughing) There are twelve (12) grandchildren now.

Does she spoil your kids?

She spoils all the kids. She is a great grandma. She's always been there for everything. I've got a great mother.

Will history repeat itself, and when the Cake Boss retires will they, your kids, be in the business too?

I sound like my father. I really want them to go to school and not go through what I went through. But inevitably, when I see them here and see how much they love it, I can't change history. If it's gonna happen, it's gonna happen, you don't know. I don't know what the business is going to be like then. It might be a better business for them. It might not be so involved as it is for me. You don't know who's going to be creative enough to do it, or not. I am a clone of my father, if you look at pictures of my father and me. I can remember his arms and his hands. It's like a cast of him was made by me. I look at my son Buddy and it's the same thing. Who really knows.

Do the kids come into the bakery and you mess around with them?

Yeah, they come in and we play around making cakes. I remember being a little boy and rolling out dough and cutting cookies out, bake them and bring them home to mommy. I do the same thing with my kids.

The kids are small now, but coming soon is baseball, play dates, girl scouts and school events. In business, you're a lot like me; you have to be there all the time to make sure that everything is perfect. Yet you are a devoted family man, that much is obvious. Right now, it's easy to devote the time to things that you are perusing, because they are little, but in the back of your mind is this nagging little thought of being there for your kids, and your obsession of needing to know what's going on at the bakery. You're already thinking about how you are going to deal with it. Have you figured it out yet, or are you leaving that for when it happens?

I haven't figured it out yet. I have to pick and choose my battles. I know there are going to be certain games that I ain't going to make. It's just the lifestyle. If I'm not there, I'll make sure that my wife is there. My dad didn't come to all my games. I'm not going to sit here and lie. But when he was there, it was special. I knew he was doing things for the right reasons, for my future. I hope that my kids will understand that.

I never thought that I would understand my dad the way I do now. I remember he used to go home and sit in his chair and I could see his 'wheels' were turning, scratching his head, so many pressures. Inevitably being in business you have to eat shit. Sometimes I want to tell some of my employees to go....., but you can't always do that.

What's down time for you?

Lately, it hasn't been at all. I'm working 12-18 hours a day, 6 days a week.

So on the 7th day you rest?

In the fetal position on my couch. (Laughing)

Let's talk a little bit about the show. We've talked to a number of Challenge contestants. Rob Sobkowski being one of them. That's where we were first introduced to you. How did that parlay into TLC TV show?

They (TLC) actually saw Challenge footage. Another competitor from Challenge sent them a tape, coincidentally I was on that tape.

They must love that.

I'm not going to say who, or what happened, but when they sent the tape to TLC and they saw me, they said, "we love him." They called me and asked if I wanted to do a show. I always had an idea for a show and I think it would be awesome. I took a camcorder and ran through the bakery and sent it out to them. The next day I had an offer, they said they wanted me. Boom. This was December too.

That's pretty amazing. I want to talk to you, not necessarily the network and/or the show, about the cake you made for Kerri Vincent. We're very egotistical Italians, that's who we are. What was it like making cakes for her?.

I'll tell you the truth, I'm going to be 100 percent honest. A lot of that, Challenge, is hyped up. She's actually a sweetheart. She and I have a great relationship. That Challenge in particular, was probably my worst Challenge. Reason being, when I went to that Challenge, I already knew that I was going to have a TV show. Coincidentally, I found out the day before the Challenge.

So your mind was in a completely different place.

I remember being in Challenge and preparing, with my brother-in-law who was my assistant, finding out it was Kerri's cake. Honestly, I could give shit. We had a game plan for a cake for a 16 year old girl. When I found out it was Kerri's cake, I should have changed the total design, which I could have, but I didn't care. If that makes any sense. I couldn't focus, I had so much on my mind. It's funny, because the producers of Challenge are the producers of my show. My producer, Art, said to me, "You could tell. You were just zoned out." I really was. My brother-in-law took the reins of that competition. When it came to Challenge, a lot of times I felt like I got ripped off.

It's kind of manufactured

I definitely should have won the "Wedding Cake Surprise." I did a wedding cake and groom's cake. I should have won that hands down.

I remember that Challenge. Your cakes were gorgeous, that groom's cake was amazing.

I am big enough to admit when I should lose. When I did Scar, the Lion King cake, that was no comparison, my character should have won hands down. After that competition, just to give you an example of the type of person that I am, I didn't even know what modeling chocolate was at that competition. Me and Mike became very friendly and he turned me onto it. It's like competing with a handicap. Most of his stuff is done out of modeling chocolate. Once you've played around with it, you can do some amazing things. When you think of the scope of my lion, the whole thing was made out of cake and we covered it in fondant. If I'd a used modeling chocolate it would have looked 200 times better. There were things I took from that and I made myself a better cake decorator.

Challenge allowed you to become exposed to different techniques.

Yes, now I feel very well versed. That's what separates me from a lot of cake decorators. I don't have a style. You give me butte-cream and you want me to do an old fashioned butter-cream wedding cake, no problem. You want me to do a cake with fondant and sugar flowers, no problem. Something whimisal, topsy-turvy, with hand painting on it, a modeling chocolate figure, now I can do them. The people who do modeling chocolate figures, usually don't do sugar flowers. You know how many people can't make a butter-cream flower? I'd say 3/4 of the competitors can't.

You're in a different situation though. There are other, you may not know this, cake makers on TV (Laughter). The difference is that you have a tremendously busy, thriving bakery. You're not a pastry chef in a restaurant. You've got a bakery that's kicking butt 7 days a week. You have the daily retail business going on simultaneously while you are creating cakes. You bring a totally different feel to this.

I agree. The big part of why I wanted to do this was to bring back some respect for the bakers. I honestly feel like I'm a baker. I'm not trying to knock Duff. He's a nice guy. Me and him are two different worlds.

We agree with that. If I'm allowed to ask, because people are going to want to know, and we're not asking because we don't really care. Why wasn't it the 'other' network.

(Laughing) There are a lot of rumors back and forth with that, that they didn't think I was good enough, or whatever. I always envisioned myself maybe on Foodnetwork, because I didn't know much about TLC, but I couldn't have found a better home. I'm not competing against anybody, it's my own game. TLC has put me in the position to be their baker, chef, whatever you want to call it. I'm the only one really. They're an amazing network. It's more of a broader audience than Food. Shame on Food, they had me on these Challenges and they never approached me.

We have nothing bad to say about Foodnetwork, but what I see here with your show is there is much less manufactured and more of showing what is happening.

That's it, you get an Italian bakery in Hoboken as busy as we are, you've got a show man. It's easy. In the past we have always spoken about the shows and any time we said the word cakes, they said, "We have a cake show." Mine is not a cake show, it's about a bakery and has a family dynamic. I think the show shines more because we are on TLC than Food. I mean I watch Foodnetwork shows. I think it's a great network and I know a lot of the people over there. If I wasn't on Challenge I probably wouldn't have gotten the gig. But TLC saw something in me that I guess Food didn't. It's kind of bitter sweet in a sense. We're the number one food show on television and it's our first season. If there was any doubt at Foodnetwork, what am I supposed to say, ha ha.

You've got to have class.

Exactly. You don't want to be a jerk, but listen, we're just doing what we do.

But you do go home and go "ha ha."

You have that in a sense. I don't need anyone to tell me. I've been a baker for 20 years and I see, this is the truth, my niche in the market, there's not a real baker on TV. A full fledged baker. I'm the only one. I'm talking about somebody born and bred. Bakers didn't go to culinary school.

You went to culinary school by being in a bakery making cakes.

That's it. When you're a pastry chef, it's a different mentality than a baker. I've been saying for years that there's not a baker on TV.

I talk to a lot of chefs. Many tell us, "I went to school, came out, got my first job and wasn't prepared for what to do." Technique and actually doing it are two different things.

When you are in the CIA, you have to make your cake as your final project. Come to the bakery and you have to make 500 a week. It's a different type of animal.

How has the show changed your life? Both good and bad, start with the good.

Good, I think I'm helping a lot of people. I think I'm putting bakers on the map. The RBA (Regional Bakers Association of America) is very supportive of me and they are so happy. Even the different suppliers are saying that I'm bringing life back to the bakeries. Letting people know that bakeries are still around and it's a great thing. Kind of like when we were young, we'd go to the bakery. For me to be able to help that, that's huge. Honestly, at the end of the day, all bullshit aside, that's who I am. I want to bring back that sense of homemade, from scratch. I want to get people to not want to go to the big lot stores and buy mass produced pies which might have been sitting in some freezer for who knows how long, with all kinds of preservatives. You pay a little bit more, but inevitably, you get what you pay for.

The personal side, how has it changed you?

I don't have a lot of time with my wife and my children. When I go places I get recognized a lot, it's a great feeling and all, but it's crazy. I'm the type of guy I'll never say no to a fan, shake a hand, take a picture or sign an autograph. Knowing my personality it's tough.

Many people don't know that you have a huge heart for charity. Like most people who have a passion for giving, it's not an accident that you are quiet about it and it reminds us what you said about your dad.

From a young age, here's a perfect example, every night we send cakes to the homeless shelter.

At GGM, I am very much about Good Giving. Tell us why your charity work is so important to you, beyond what your father ingrained?

It's gone to a whole new level. I never thought my autograph or my cakes would pay so much. If the money is going for a good cause, for a cake that I make, how can you say no to that. We do Cupcake For A Cause every year and that's for kids with cancer. How the hell could you not want to help? I cry just thinking about it, it goes right to my heart.

Tell us about Cake for 10. What do you remember most about that experience?

It was weird for me to hear that kids, from Make-A-Wish, wanted to make cake with me, I was, "Holy Shit." There's Jordan, Bon Jovi, I'm just Buddy the Baker. Right off the bat, I'm astonished. It was so amazing to see the joy that I brought to their faces. I didn't do much. I just hung out with them and made a cake with them. That's what life is all about. What these kids have gone through, and they want to spend a half hour or hour with me making a cake? I can't say no to that. Anyone who would say no to that is heartless. Anything I can do, I'm going to do. I'm honored to be part of Make-A-Wish. Kids want to see me, really? I could never say no. My father would kill me. You've got to try and stay humble, stay true to your roots. I am who I am.

Here is your soap box moment. What is it about you that people don't know, that would surprise them to learn about you?

I remember years ago I used to get really mad when I used to watch Challenge, and I'd see people blog about it. People thought that I was arrogant or that I was jerk off. That really bothered me because I know who I am. I am an honest, hard-working, family man. I know I'm not the best cake decorator in the world, but I know what I do, I do well. I've earned my stripes to say I know enough about cakes to get the respect I deserve. I want people to know that I am a family man. I yell and scream sometimes, but it's part of my life. I'm Italian, I'm very passionate. When you see me talk, I talk with my hands, it's a little bit of everything. But I do a lot of good and I'm really trying to help an industry. I want bakers to get some recognition because of what my show does. I want people to go back to making scratch recipes.

A lot of times Buddy, people mistake confidence for arrogance, because of the way we present things, and I'm going to go back to north Jersey here.

You know it, you lived it.

What I applaud about what I hear in your voice is the same thing I live my life by, I can't put my light under a bushel because somebody else is intimidated by it.

You can't. At the end of the day, I know that I'm good. I've been doing it long enough and have seen people's reactions and have made thousands and thousands of people happy with the cakes that I've made. People don't like what I do, what can I say? I know what I'm talking about, I've done it a long time. When you look at our fan base, there is a lot more positive than negative. I guess a lot more people want to see me do what I'm doing.

Our standards are highest for ourselves than for anybody else. I don't think people realize how hard we are on ourselves.

I think in this country we are racing to mediocrity. That can tend to make us harder on the people around us, but we don't expect anything more than we expect from ourselves. My team sees me at 6 o'clock in the morning and I'm here until the cameras are done. It's not like I stroll in, in a suit and tie and throw on my chef coat for an hour and leave. It's not like that. People don't realize that we work day to day, week to week.

I got a request for a robot cake, that had to move like a robot and had two days to do it. I went to the toy store, bought toys, cut them up, to figure out how I was going to do this. We worked from 6 a.m. - 1 a.m. two days in a row, but I figured it out. It sucked, but I did it.  A quote I'd like to do back on that soapbox thing: My favorite part of the show is when I get families who come to the bakery to visit and they tell me Cake Boss is the only show they can sit together and watch as a family. Mom likes it, Dad likes it, the kids like it, Grandma and Grandpa. Families are coming together for half an hour to watch my show. Cause I'm a family guy, that means a lot to me.

And it tastes good.

My dad always said to make an impression on people that is good for you. I'm bringing families together. Mission accomplished.

What are your hopes for the future?

Keep going with Cake Boss. Get bakers recognized out there. I set my goals pretty high. I'm sure the world is going to see a lot of me doing a lot of different things. I want to cook and do other shows, because I can cook too! My idea with cooking, no formal training, like how I bake, the school of hard knocks. When I cook it's that north Jersey, old school Italian, Sunday sauce.

Yea...we know... story of our lives.. 
~

I hope you have enjoyed reading this interview as much as I did doing it. Too many times, TV can give  us the persona, but never really give us a glimpse into the people behind that persona. I hope this intimate look and chat has helped you understand a little but more of the Cake Boss behind the cakes. Buddy has gone on to have that show, Kitchen Boss, as well as Cake Boss, cooking for us all the traditional recipes from his family and childhood and Cake Boss has gone on to be a household name all across America. Like I said in the beginning, it all starts with a dream..based in Tradition...

Bon Appetit, 

Lou

Wednesday, March 14, 2012

Did You know Irish Soda Bread is not actually Irish...?

While now adopted by the Irish, just as bagpipes weren't invented by the Scots, the chemical reaction that makes Soda Bread what it is, wasn't invented by the Irish. Long before Europeans settled the Americas, the Indigenous peoples of the Americas used soda or pearl ash, more commonly known as potash (pot ash) or potassium carbonate, (the forerunner to baking soda) as a leavening agent in quick breads. Although the Irish didn't invent Soda Bread it is most often identified with them. The "soft wheat" is the only suitable flour that can grow in Ireland's climate and when mixed like a traditional dough it doesn't form any gluten like a traditional yeast bread, but it does work well with a soda bread recipe.

The ingredients of traditional soda bread are flour, bread soda, salt, and buttermilk; which contains lactic acid. The acid in the buttermilk reacts with the baking soda to form tiny bubbles of carbon dioxide. through the years various recipes have called for the adding of raisins, egg or various nuts. While people have sometimes added fruit to the basic dough as a treat, or for a change of pace, in Ireland, this is not usually referred to as soda bread, but as tea bread, fruit soda, tea cake.

In Ireland, "plain" soda bread is mostly eaten as an accompaniment to a main meal (to soak up the gravy) or it sometimes appears at breakfast. It comes in two main colors, brown and white, and two main types: cake and farl. People in the south of Ireland tend to make cake: people in Northern Ireland seem to like farl better, though both kinds appear in both North and South, sometimes under wildly differing names. 

Cake is soda bread kneaded and shaped into a flattish round, cut deeply with a cross on the top (to let the bread stretch and expand as it rises in the oven). This style of soda bread is normally baked in an oven. 

Farl is a soda bread dough is rolled out into a rough circle and cut all the way through, crosswise, into four pieces or farls ("farl" is a generic term for any triangular piece of baking) and usually baked on top of the range or stove in a heavy frying pan or on a griddle, rather than in the oven.

The cross on the soda bread has several explanations, but legend has it that folks did it to "let the devil out" while it's baking for good luck. Others say that it made it easy to divide into 4 pieces. It was also a symbol for a cross during Christian holidays. Now that you know the history, the next thing you need to realize is that it's quick and easy to make. The most common mistake with baking soda bread is the tendency to do too much to the dough, especially if you are making it for the first time. Below is a easy and healthy recipe:

Healthy Gourmet Irish Soda Bread 

Ingredients
1 cup oats, (they need to be quick cooking)
1 ½ cups of stone ground whole wheat flour
1/4 cup Turbinado (natural cane sugar)
1 T baking powder
1 ½ tsp salt
2 cups, plus, unbleached all purpose flour
1 tsp baking soda
3/4 stick butter (or margarine)
2 tsp caraway seeds (add an extra one if you like seeds)
1 1/4 cups buttermilk (low-fat)

Method
Preheat oven to 350 degrees. Place parchment paper on a cookie sheet. (If you don’t have parchment paper you can grease your cookie sheet.) Combine whole wheat flour, oats, Turbinado, baking powder, salt, baking soda and unbleached flour in a large bowl. Cut the butter into the dry mixture until it is crumbly. Add the caraway seeds. Gradually stir in the buttermilk until the mixture is moistened and be aware it will be sticky.

On a well floured surface, with well floured hands, turn out the dough. Knead until it is mixed thoroughly (you may have to add additional unbleached flour) and form a ball. (If you want to make individual loaves, divide the dough into 6 balls. Cut a cross in the top of each loaf at least a 1/4 inch to a 1/2 inch deep. Bake until a toothpick inserted comes out clean, 50-60 minutes. Let cool on wire rack.

*Note: To make this loaf even more gourmet you can add raisins and or nuts, But be sure that these additional ingredients do not exceed 1 1/2 cups for this recipe. Serve warm with butter or one of Ireland’s creamy, rich cheeses and enjoy!



Bon Appetit & Happy St. Patrick's Day!

Lou

Souces: Top photo courtesy of BBC.Co.UK

Champagne/Truffle Mac- n'-Cheese Wild mushrooms, pancetta & smoked gouda


Ingredients

8-10 oz. baby shells – size 52
1/4 lb pancetta, diced
1/4 tsp grapeseed oil
1/4 of a large Spanish onion diced
1/2 oz. wild mushrooms reconstituted
3/4 lb smoked Gouda
1/4 bottle brut champagne
1/4 cup light, fat free chicken stock
3/4 cup whole milk
1 T white truffle oil*

* You can substitute any truffle oil of your choice and simply adjust flavors and amounts based upon your preference.


Method
Prepare pasta as directed, drain completely and set aside. In a large saute pan, render down pancetta, remove and set aside (reserving 2 T for garnish). In same pan, add grapeseed oil and onions and sweat until translucent. Add mushrooms. As soon as mushrooms release liquid add pancetta back into the pan. Cook until crisp. (Do not over cook) Set aside.

In 3 qt saucepan on low-medium heat, add champagne and cheese, whisking until smooth. Add milk and chicken stock. Continue whisking until creamy. Add pancetta mixture and truffle oil. Blend thoroughly. Add well drained pasta to a large mixing bowl. Stir cheese sauce into bowl making sure to completely cover pasta.

Plating
For individual servings, use a soup bowl and ladle pasta into center of bowl. Garnish with crumbled pancetta and fresh parsley. For family style, use a large pasta serving dish, garnish and serve.

Bon Appetit!

Lou

Tuesday, March 13, 2012

Molecular Gastronomy, The Science of Food

While watching Iron Chef a few weeks ago, I was intrigued by this particular battle. The ingredient was much less of interest to me than was the complete polar opposite applications applied to it. It was old school classic French technique vs. a complete application of molecular gastronomy. For example, both chefs decided on an ice cream dish, yet while one took the traditional route, classic ingredients put into an actual ice cream maker, the other made an instant ice cream using injected CO'2 and nitrogen. While both presentations were well received by the judges, regardless of the diametrically opposed directions from which they came, it got me thinking. Old school time tested traditional and classic French techniques vs. the 'new garde' and the advanced science of food. This was something that has fascinated me and a subject I needed to explore. So here we are.

Though seemingly new, molecular gastronomy has been around since the time of Escoffier and the term was first introduced into the lexicon in 1988 by Hungarian physicist Nicholas Kurti and French physical chemist Hervé This. It became the title for a set of workshops  they held in Erice, Italy that brought together scientists and professional cooks for discussions on the science behind traditional cooking preparations. "Molecular Gastronomy," first based on exploring the science behind traditional cooking methods, is also known now, as the scientific discipline co-created by Kurti and This.

What I have noticed, is a marked loyalty to the pro or con when it comes to this issue. I myself, happen to like both, so for my tastes I feel I get the best of both worlds. Since the individual palate is as diverse as the person to whom it belongs, the opinions are just as varied. The other thing that must be mentioned is that while we may discuss what it is in picture and word, the true experience is in the eating. Until you have had a creamy caramel sphere burst warm liquidy deliciousness inside your mouth, or Foie Gras Ganache (above) ooze onto your plate, you will never truly know the joys that can come from the science of food.
If you are a fan of this discipline, as I am, then you are familiar with those chefs, such as Ferran Adrià, Grant Achatz (pictured right), Wylie Dufresne, Jose Andres, Thomas Keller and Heston Blumenthal, as well as a handful of others that push the limits of creativity by breaking the boundaries between the lab and the table. If you are not familiar with it, you should be, if for no other reason than to have experienced the genre at least once. 

What I think you will be surprised about, as I was, is the fact that many of these same chefs are not big fans of the term molecular gastronomy. Now don't get me wrong, we all agree what they are doing pushes the boundaries of taste and dining into the highest levels, but they are concerned that what they do is misunderstood because of the term. You'll read some quotes from some of them here that may put things in perspective, especially if this is an art form that captures your imagination, as it does mine.

What is it exactly?
There are many branches of food science, all of which study different aspects of food such as safety, microbiology, preservation, chemistry, engineering, physics and the like. Until the advent of molecular gastronomy, there was no formal scientific discipline dedicated to studying the processes in regular cooking as done in the home or in a restaurant. The aforementioned (perhaps with the exception of food safety) have mostly been concerned with industrial food production and while the disciplines may overlap with each other to varying degrees, they are considered separate areas of investigation.

The discipline covers some of these areas:
~How ingredients are changed by different cooking methods.
~How all the senses play their own roles in our appreciation of food.
~The mechanisms of aroma release and the perception of taste and flavor.
~How and why we evolved our particular taste and flavor sense organs and our general food likes and dislikes.
~How cooking methods affect the eventual flavor and texture of food ingredients.
~How new cooking methods might produce improved results of texture and flavor.
~How our brains interpret the signals from all our senses to tell us the "flavor" of food.
~How our enjoyment of food is affected by other influences, our environment, our mood, how it is presented, who prepares it, etc..

Though many disparate examples of the scientific investigation of cooking exist throughout history, the creation of the discipline of molecular gastronomy was intended to bring together the chemical and physical processes of cooking. It broke it into an organized discipline within food science, A. To address what the other disciplines within food science do not cover and, B. Cover it in a manner intended for scientists rather than cooks.

Here's a perfect example of new knowledge brought about by molecular gastronomy: A soufflé is based on a viscous preparation, for example a Bechamel sauce made of butter, flour and milk, to which is added cheese, egg yolks and whisked egg whites. It used to be thought that soufflés rose as the air bubbles in the egg whites grew bigger as they became warmer. However, Hervé This has measured the temperature and pressure inside a soufflé and calculated that the bubbles can swell by 20 per cent at the most, whereas soufflés can double in volume.
In fact, the soufflé rises as water from the milk and yolks evaporates, and rises to the top of the soufflé, pushing the layers of mixture upwards. This means that heating the container from the bottom produces the best results. He has also found that the stiffer the egg whites, the more the soufflé rises. The firmer egg whites have a greater volume to begin with, but the firmness of the foam also prevents the bubbles from passing quickly through the soufflé and escaping; slowly rising bubbles are better at pushing up the layers of mixture.

Up until this time, most chefs will harken back to what many have called the bible of true cookery for a professional and semi-professional chef, Harold McGee's book, "On Food and Cooking: The Science and Lore of the Kitchen," a publication that provided the chefs mentioned, as well as many other chefs, with the technical understanding they needed to help them create their dishes.
The irony is that some of the chefs most thought of when the term molecular gastronomy is used, are still not quite comfortable with the phrase. There seems to be plenty of opinions about the term and discipline. In layman's terms, I believe a quote from Chef Grant Achatz of Alinea in Chicago says it best. In a recent post on his blog, Back of the House on TheAtlantic.com, about the continuing debate over the term and discipline; "...this horse has been beaten down and down and down. Science is an integral part of cooking. What we (the so-called "molecular gastronomists") are doing is about far more than just science; it's about crafting an experience, about creativity, and about change."

Chef Heston Blumenthal of the UK's 3 star Michelin rated Fat Duck, in Bray, stated he thinks the term creates artificial barriers. 'Molecular makes it sound complicated,' he says. 'And gastronomy makes it sound elitist.' However, he accepts that, by pairing mustard ice creams with red-cabbage gazpacho, sprinkling cocoa powder over cauliflower risotto and making snail porridge, he has pushed back the boundaries on flavor combinations. 'It's the diners who have become most open. Six or seven years ago when I put a crab ice cream on my menu, it was regarded as the devil. Now if something like that is done for the first time, I don't think anybody bats an eyelid.'

"In late 1999, one of the most widely reported of our discoveries was the combination of caviar and white chocolate," says Chef Blumenthal. "I demonstrated this combination to one of the world's leading flavorists (This, pictured right), who was amazed at the marriage..He went off and came back with a printout [of the chemical makeup of cocoa and caviar, and sure enough,they both contained high levels of amines."  

Hervé This's research helps the Fat Duck staff blend some unusual ingredients. Spice bread ice cream and crab syrup, smoked bacon and egg ice cream served with French toast and tomato jam, and oysters and passion-fruit jelly are a few examples. They may sound odd, but these are winning combinations.
Hervé has recorded more than 10,000 examples of adages, all of which get written down in a notebook. He tries to test as many sayings as possible, and after many lab experiments and a number of failed dinner parties, he has managed to disprove or improve upon many maxims.
He regularly teams up with chefs to exchange information. Every month, he picks a theme based on his research and challenges his friend, three-star French chef Pierre Gagnaire, to invent a recipe from it. "We work very hard, and Hervé's research helps us to find new perspectives," says Gagnaire, who is known for his innovative cuisine and food combinations.

While it may not have a proper moniker according to these chefs, the presentations that it represents are very much in the forefront of moving food into areas never before explored. Creations such as Blood Orange Foam, or Chef Marcus Samuelsson's 'Foie Gras Ganache,' are true genius applications of time honored traditional ingredients and dishes, presented with new imagination and flair.


But, it’s also about what arrives at your table as well. What do diners see? How do they interact with the food? How is their experience changed by the surrealistic plating and surprising presentation, or ingredients that look like other food, or scented air released from air pillows while you dine?

To me, molecular gastronomy is more about the experimentation of flavor profiles and presentation, than it is about science. Yes, new techniques including the use of lecithins, the making of foams and the uses of nitrogens are all making the blending of ingredients and the focus on textures and mouth feel all factor into the discipline. Personally, I think that the major focus has always been interesting and never thought of combinations and flavor profiles using fresh and unique ingredients. This was evidenced to me recently when I enjoyed a delicious Basil & Lime Sorbet or the delicious Lobster Bisque Cappuccino (pictured left) prepared for me by Guy Martin protégée, Phillipe Ruiz. at the Biltmore Hotel in Florida

Examples of Molecular Gastronomy

Flash-freezing
Related back to my first query about flash freezing to make ice cream, El Bulli was the first restaurant to experiment with quickly freezing the outside of various foods, sometimes leaving a liquid center, using a volatile set-up involving a bowl of liquid nitrogen dubbed the TeppanNitro. Later, Alinea’s Achatz began using an appliance called the Anti-Griddle, whose metal surface freezes rather than cooks.

Spherification
Also known as ravioli (not the kind you eat with marinara sauce), spheres are what you get when you mix liquid food with sodium alginate, then dunk it in a bath of calcium chloride. A sphere looks and feels like caviar, with a thin membrane that pops in your mouth, expunging a liquid center. Popular experiments from the chefs above have included ravioli made from purées of things like mangoes and peas. 


Meat glue
One of the greatest hits of the movement has been Wylie Dufresne’s “shrimp noodles,” which, as the name states, are noodles made of shrimp meat. They were created using transglutaminase, or meat glue, as it’s known in wd-50’s kitchen, a substance that binds different proteins together and is more familiarly used in mass-produced foods like chicken nuggets.

 Foams


You probably know about foams, which are sauces that have been turned into froth using a whipped cream canister and sometimes lecithin as a stabilizer. They were invented at El Bulli, along with similar “airs” made with an immersion blender. I must admit this is one of my favorite applications of the discipline.
  


Edible menus
Probably the biggest wow factor innovation has been the edible menus by Homaro Cantu of Moto. Using an ink-jet printer adapted for inks made from fruit and vegetables, and paper made of soybean and potato starch, he has created menus that taste like everything from sushi to steak.

Bacon
Alinea’s multi-course tasting menu often includes a crispy piece of bacon decorated with butterscotch and dehydrated apple, served threaded on a horizontal wire. The famous dish exemplifies Alinea’s use of creative serveware, and molecular gastronomy’s enthusiasm for dehydrators and savory-sweet combinations in general. There has also been a huge movement recently to bacon and chocolate, and though I love both, I must admit, I am not a fan of this combination.

Dusts & Dehydration
The dehydration of certain well known ingredients into a dust which changes the way one might use these ingredients, an example would be Black Chanterell or Black Trumpet mushrooms. We have had this dust added to dishes as wide ranging as soups, steaks and foie gras.


Prologue
While Molecular Gastronomy may not be for you, I highly suggest that you experience this dining genre at least once. The creativity of chefs and restaurants embracing the nuances of breaking down food to the molecular level is moving food, dining and presentation to even higher levels than ever before, and frankly, I like where it is going and am excited to see who will push the boundaries of the culinary envelope even further. As the 'dining public' we are the beneficiaries of these talented chefs and the masterpieces they create on a plate.

Bon Appetit!

Lou
Sources

Wednesday, March 07, 2012

Spam WILL get you noticed on Twitter...for all the wrong reasons!

More and more brands and small companies are trying to make their mark in social media. And rightly so. The social media platforms of Twitter, Facebook, Pinterest, Google+ have been a definite boon to small and midsize companies trying to make their mark in the online media and social media arena. Good planning, quality content and a following of the 'so called rules,' will help when trying to get yourself noticed. But, many have jumped into the deep end with little or no knowledge of twitter etiquette, and the dos and don'ts of how to do it the right way. Influencers in certain topics, such as myself for instance, in the areas of food and culinary, are usually glad to help and, IF you do it right.

But one of the worst ways to get noticed on twitter is to Spam. Especially by those that have huge followings and are considered the 'twitter elite' in their specific topic. Oh, this will get you attention for sure, but it will all be all negative and actually defeat your purpose and damage your rep. Most will ignore your spam, quietly blocking and reporting you. Some, like myself will call you out on it. In public. To our thousands of readers and followers. That can in some cases be the kiss of death. So, here are some simple techniques to avoid being put in what I call, Spam Jail.

If you are seeking notoriety, attention, or want to call certain individuals, or personalities to your brand, instead of using spam if you have a great news article or story, first and foremost, follow the twitter profile of the person or company you are are trying to connect with. Re-tweet their postings. Reply to certain posts or tweet and start a dialog. Most of us keep a close eye on our mentions, re-tweets and activity. We do this for a variety of reasons, but for the most part, it is to see if the content we are posting and tweeting is being well received and to keep a pulse on what is important to our twitter following. It also allows us to engage and respond to our readers and followers when they reply or re-tweet out content.That will get you noticed.

Second, if you want to get your tweets noticed, simply ask for a follow from that individual so you can talk with them via DM. It's simple to ask a well know twitter profile if they think they're followers may be interested in a news article or post or item that you want to get out there to a wider public. This works very well with me for instance. Why? First it shows etiquette and respect. If done this way, it will more than likely result in a follow, at least to entertain your request in private. If your content is good, timely and interesting, folks like me will probably re-tweet it for you and now that you have our attention, if the trend continues, we may include it in our regular tweet rotation and you will have more that achieved your goal.

Remember, be patient above all else. A positive and well followed Twitter rep is not something you can gain overnight. You must develop relationships, show consistency, and above all, show some class. Spam will absolutely get you noticed immediately!! It will also get you called out, complained about, blocked and reported. Your goal is to develop a great reputation and twitter following and if you are new to twitter, or have even gotten impatient trying to get noticed, with Spam, you can actually shoot yourself in the profile, before you even start your campaign. I hope this helps.

Bon Appetit, 

Lou

Sunday, February 19, 2012

Staying on the cutting edge in your Kitchen: Knife Skills...


Welcome to the second installment in a series of posts geared toward the 'at home cook.' It is my belief that anyone can cook gourmet at home and this series is designed to give you, the at home cook, foodie, culinary enthusiast, the techniques and methods used by every professional chef, in order to allow you to create wonderful restaurant style gourmet meals at home. Our first, Mise en Place, was all about proper kitchen set up when attempting a recipe or preparing a meal for your family.

With today's installment, Knife Skills, we will examine the techniques and proper methods of using a chef's knife. The chef’s knife is the ideal knife for chopping vegetables, herbs, fruits, cutting boneless meats, slicing, dicing and general cutting tasks. A chef's knife generally has a blade eight inches (20 cm) in length and 1 ½ inches (4 cm) in width, although individual models range from 6 to 14 inches (15 cm to 36 cm) in length. Blade shapes are either French or German; the French style has an edge that is straighter with the end curving up to the tip; German-style knives are more deeply and continuously curved along the whole cutting edge. 

Sharpening Your Knives
It's important to keep knives sharp to stay safe when cooking,as dull knives are a safety hazard and can be very dangerous.The more blunt a knife's edge is, the more pressure it takes to cut something, the more likely you are to slip and cut your finger instead. Sharpened knives reduce the time it takes to prepare your meals as well. To sharpen a knife, use a sharpening stone, also known as a whetstone, or a sharpening stick. If you don't feel comfortable sharpening your knives yourself, most knife manufacturing companies allow you send your knives in for professional sharpening. You could also try your favorite cooking supply store, as most offer sharpening services.

How To Properly Hold & Use Your Knife

For more precise control, adopt a grip on the blade itself, with the thumb and the index finger grasping the blade just to the front of the finger guard and the middle finger placed just opposite, on the handle side of the finger guard below the bolster.

When slicing or chopping, keep your fingertips curled inward. Use your fingernails in what is called a "claw grip," to help grip the food. The knife blade should rest against the foremost knuckle, helping keep the blade perpendicular to the board.

Types Of Knife Cuts 

Large dice: ¾ inch × ¾ inch × ¾ inch.
Medium dice: ½ inch × ½ inch × ½ inch.
Small dice: ¼ inch × ¼ inch × ¼ inch
Batonnet:  ½ inch × ½ inch × 2½-3 inches.
Aluumette: (al-yoo-MET) ¼ inch × ¼ inch × 2½ inches.
Julienne: (joo-lee-ENN) 1/8 inch × 1/8 inch × 2½ inches.
Brunoise: (BROON-wahz) 1/8 inch × 1/8 inch × 1/8 inch.
Fine Julienne: 1/16 inch × 1/16 inch × 2 inches.
Fine Brunoise1/16 inch × 1/16 inch × 1/16 inch.
Paysanne: ½ inch x ½ inch x 1/8 inch
Tourne (turned) 7 Sides: ¾ inch (width) x 2 inches (length)

For those who would like to take this post a step further, below is a list of available classes in New York, Chicago and LA, allowing you to get hands on experiences and instruction:

For my New York City readers:, Chef Norman Weinstein offers an excellent knife skills class at the Institute for Culinary Education on 23rd St. in NYC.

For my Chicago readers: The Chopping Block, located on Lincoln Ave offers regular classes for $40 per person.

For my LA readers: Chef Eric Jaques Crowely, of The Culinary Classroom offers regular classes on a variety of subjects, all of which includes knife skills instruction.

I hope this post has been educational and informative and helps you get more proficient in the kitchen. The number one (1) answer I have received when interviewing chefs about their most important or favorite kitchen tool is unequivocally; their knives. If you are serious about cooking and becoming more adept in the kitchen, learning how to use your knives with proper techniques and practice can make the cooking experience much more enjoyable. The time spent getting to know your knives will allow you to not only be more safe, but I'll bet you, your friends and your family will appreciate and enjoy your new culinary acumen and the delicious gourmet dishes coming out of your kitchen.

As always, Bon Appetit!

Lou

 Photo sources: www.cheftalk.com http://www.myrecipes.com/  http://www.ciaprochef.com/

Tuesday, January 31, 2012

Kung Hei Fat Choy! Chinese New Year, New York City style.

This past Sunday, I welcomed in the 'Year of the Dragon' in New York City's Chinatown. I have to thank Elaine, The Gourmet 'Girl,' for my current obsession with all things Chinese. Through our friendship, she has opened my eyes and palate to a wonderfully rich culture of fabulous art, music, colorful and elegant clothing and people. And, of course, let's not forget the food.. Ah... the food.

We always start our Chinatown sojourn early in the morning, making our way through the shops, fresh produce stands, fish markets & butcher shops with their Peking Ducks hanging in the windows.After strolling Mulberry and Mott Streets, we end up at one of the area's best spots for Dim Sum, Sunshine 27 Restaurant, on the Bowery.


Now, the first sign that this is the place to be, is the fact that it's filled with locals and those Chinese tourist who know where to find the best their culture has to offer. That said, if there were possibly 10 of us Caucasians in a dining room of over 200, it was a lot. So, rule of thumb: when experiencing the cuisine of another culture, go to where the locals go.

Sunshine 27 is a large, bustling restaurant serving Dim Sum, Hong Kong style, with carts. Parties are often seated together at communal tables and the camaraderie is amazing. If you are not a Dim Sum aficionado, sitting with those who are familiar with the cuisine is a great way to learn. As the carts come around, you are offered choices of Shumai, Shrimp Dumplings, and yes, for the more adventurous, Chicken Feet in Black Bean Sauce.
 
Now, here is the best part; we sat for over an hour, were stuffed from the food and pot of fresh tea served to every patron and when the bill came, it was a mere $15.00 for two. Dim Sum can be a great family value in this economy, while at the same time, exposing your kids to an historic cuisine, culture and people.
 
After our Dim Sum feast, we head over to the Golden Steamer Bakery, on Mott St., to pick up Pork Buns and other traditional Chinese sweets. Then, as the crowds start to swell in anticipation, we find a spot amongst the throngs of tourists and residents alike, to view the Chinese New Year's parade.

Chinese New Year
Chinese New Year is the longest and most important festivity in the Chinese calendar. The origin of Chinese New Year is itself centuries old and gains significance because of several myths and traditions. Chinese New Year is celebrated in countries and territories with significant Chinese populations, such as China, Indonesia, Tibet, Macau, Malaysia, Philippines, Singapore, Thailand, and also in Chinatowns around the world. It marks the end of the winter season. The festival begins on the first day of the first month in the traditional Chinese calendar and ends with Lantern Festival on the 15th day. Because the Chinese calendar is lunisolar, the Chinese New Year is often referred to as the "Lunar New Year." We have just come out of the Year of the Rabbit (2011), with this, (2012) being the Year of the Dragon. Next year (2013) will be the Year of the Snake.

Dim Sum
 
The unique culinary art of dim sum originated with the Cantonese in southern China, who over the centuries transformed yum cha (drink tea) from a relaxing respite to a loud and happy dining experience. In Hong Kong, and in most cities and towns in Guangdong province, many restaurants start serving dim sum as early as five in the morning. It is a tradition for the elderly to gather to eat dim sum after morning exercises.

Literally meaning "to touch your heart," dim sum consists of a variety of dumplings, steamed dishes and other goodies, much like hors d'ouvres served in traditional French restaurants.
Eating dim sum at a restaurant is usually known in Cantonese as going to "drink tea" (yum cha), as tea is typically served with dim sum.
 
There are common tea-drinking and eating practices or etiquette that Chinese people commonly recognize and use. These are practiced not only during dim sum meals but during other types of Chinese meals as well. It is customary to pour tea for others during dim sum before filling one's own cup. A custom unique to the Cantonese is to thank the person pouring the tea by tapping the bent index finger if you are single, or by tapping both the index and middle finger if you are married, which symbolizes 'bowing' to them. 

Some popular types of Dim Sum

Shrimp Dumpling or Hargao
Delicate steamed dumplings with whole or chopped-up shrimp filling and thin wheat starch skin.

Jiǎozi or Potsticker
Northern Chinese style of dumpling (steamed and then pan-fried jiaozi), usually with meat and cabbage filling.

Shumai or Pork Dumpling
Small steamed dumplings with either pork, prawns or both inside a thin wheat flour wrapper. Usually topped off with crab roe and mushroom.

Bāozi or Bao
Baked or steamed, these fluffy buns made from wheat flour are filled with food items ranging from meat to vegetables to sweet bean pastes

Cheung Fan or Rice noodle roll
Wide rice noodles that are steamed and then rolled. They are often filled with different types of meats or vegetables inside but can be served without any filling

Pheonix claws or chicken feet
These are chicken feet, deep fried, boiled, marinated in a black bean sauce and then steamed.

Lo Mai Gai
Glutinous rice is wrapped in a lotus leaf into a triangular or rectangular shape. It contains egg yolk, dried scallop, mushroom, water chestnut and meat (usually pork and chicken).

There are a few more varieties of Dim Sum, but I thought I'd start you off today with the most popular and most common. I hope you have learned a bit today and I have piqued your interest in exploring Chinese culture and of course, Dim Sum. If you have never experienced the magic that is your local Chinatown, plan a trip and spend a leisurely Sunday strolling through ancient culture, art and cuisine. You'll be glad you did.

As always,

Bon Appetit!

Lou

Sunday, January 22, 2012

Mise en place...as important in life as it is in cooking...

This is the first in a series of posts coming this year designed to simplify the art of cooking gourmet in your own home. I hope you learn from them, enjoy them and share them with your foodie friends. In today's post, we will cover the first step for any aspiring cook or chef: Mise en place.

If you are a chef, foodie or just someone who knows their way around a kitchen, you have probably heard the term 'Mise en place'. For the novice or at home cook, this may be a term that is foreign to you, which it actually it is. It is one of the first lessons learned by culinary students, it is that important a concept. Many home cooks who struggle with complicated recipes, more often than not, simply have these difficulties because they do not apply this simple method. So today, let's look at its importance, both as it applies to cooking, and, how that translates to life.

Definitions

First, let's define the term;  Mise en place, pronounced miz on plas, is a French phrase that literally means "putting in place." It is also defined by the Culinary Institute of America as "everything in place," referring to 'set up' in commercial kitchens. It refers to organizing and arranging the ingredients. You will find and be amazed to learn that once you apply this technique to your own cooking, rather than the lack of culinary acumen you once attributed to yourself, in most cases, it is simply the lack of this critical first step that is to blame. I promise, your whole world and opinion of yourself as a cook or chef will rise to new heights once you start employing 'Mise en place' to every recipe you attempt to tackle. (yes, even the simple ones)

Preparing the mise en place ahead of time allows you to cook without having to stop and assemble items, which is most desirable in recipes with time constraints, but should be applied to any and all your cooking endeavours. If you are a new cook, or aspire to be competent in the kitchen, you can relate to getting flustered (I, your humble Gourmet Guy did as well) when trying to read the recipe with ingredient-caked hands, or while in the midst of mixing or sauteing. You get food on the book, yourself, run back and forth from the recipe to the stove top or cutting board, etc. etc. etc Employing 'Mise en place'  will elimate your frustration, ease any difficulty in interpreting a recipe and allow you the true joy of creating a culinary masterpiece just like the 'big time' chefs.

Mise en place in practice.

Recipes should be read through completely, before you ever start actually cooking, for necessary ingredients and equipment. Ingredients are then measured out, washed, chopped, and placed in individual bowls. Equipment, such as spatulas and blenders are prepared for use and ovens (or pans) are preheated.


It is this simple 'secret' that allows all of our favorite restaurant or TV chefs to make it look so stress free and easy, even when they are preparing art on a plate. Of course proper technique is also, if not just as, important to your success with complicated recipes, but this is step one (1) in bringing your cooking experience to the next level. You will appreciate the ingredients, the process and the results with a newfound delight, while your family and friends will think you are secretly attending culinary school on the sly. Stay tuned to Kitchen Rap and feel free to share these posts with friends, as we will cover such things as proper knife skills, sauteing, grilling, etc., in later posts here throughtout the coming year.

Now I did say at the beginning, that Mise en place can also be applied to life. Not much of a stretch really: Create for yourself your recipe for success, be it personally or professionally. Gather the neccessary components (ingredients) such as resources, friends, skills or career opportunities. Add the ingredients, execute your recipe, methodically, calmly and stress free, then assemble the dish. Either way, cooking or living, you'll be amazed at the delicious results that you yourself are capable of. All it takes is a little Mise en place.

As always my friends,

Bon Appetit

Lou

Sunday, January 15, 2012

A culinary look at Morocco...

"Of all the gin joints in all the world, she hadda walk into mine." Who can forget Bogey rasping out those immortal words? "Casablanca." Just one of the exotic cities in a country filled with mystery and intrigue. Morocco's three top cities to visit are Marrakesh, Casablanca, and Tangier. Morocco's reigning monarch, King Hassan II, likens his country to a desert palm: "rooted in Africa, watered by Islam and rustled by the winds of Europe." A poetic description for a place which can appear mystical, magical and foreboding all at once.

Situated on the northwest coast of Africa, Morocco is one of three countries which make up the Maghreb ("furthest west"), the other two being Algeria and Tunisia. The Atlantic Ocean is to the west, while the calm waters of the Mediterranean are due north and the harsher sands of the Sahara are to the south. Snaking through the center of the country are a series of mountain ranges, beginning with the Rif mountains in the north and continuing with the Middle Atlas, High Atlas and Anti-Atlas ranges, which nearly split the country in half along a vertical axis. It is these mountainous areas which are heavily populated by the Berbers, the indigenous people of Morocco who still comprise 80% of the population. The Berbers are not ethnically Arabs, but they are Islamic.

Two languages are indigenous to Morocco: Arabic and Berber. French is also widely spoken. The Haouz, like most of the plains and cities of Morocco, is Arabic-speaking. The highlands areas of the country are largely Berber-speaking. Classical Arabic is Morocco's official language, but the country's distinctive Arabic dialect is the most widely spoken language in Morocco. French, which remains Morocco's unofficial third language, is taught universally and still serves as Morocco's primary language of commerce and economics; it also is widely used in education and government. Many Moroccans in the northern part of the country speak Spanish. English, while still far behind French and Spanish in terms of number of speakers, is rapidly becoming the foreign language of choice among educated youth. English is taught in all public schools from the fourth year on.

Once you have adapted to their way of life, there is a universe of intriguing travel opportunities and many hands to shake less then 50 miles from Europe. Veiled women occasionally may give you a seductive look, but don't go there!
Three mountain ranges present diverse landscapes and three different ways of life: the Rif in the north, the High Atlas and the Anti-Atlas, that remains mostly undiscovered. Azrou is a quiet Berber town only 2 hours drive from Rabat, worth visiting for its forest and calm atmosphere. Three different Berber groups inhabit these mountains and, on the whole, these areas are more relaxing than the large cities. You should consider trekking, even if you are a beginner, so you'll catch a glimpse of one of the many aspects of authentic Moroccan life. Adventurous skiers can find good slopes in the Atlas Mountains.

If you only have one week and you would like to see amazing geological landscapes, palm oasis, painted rocks, and the Berber way of life, Tafraoute is not to be missed. Only two hours drive from Agadir, the drive is almost as stunning as the destination. The roads are good quality throughout the north and west; there are even freeways near the bigger cities like Casablanca.
The oasis of the pre-Sahara present yet another timeless image of the Arab world with immense palm groves in the desert. Not to be missed are the fabulous mud Kasbahs and ksours (palaces and family houses) which you can find near Zagora.

Morocco produces a large range of Mediterranean fruits and vegetables and even some tropical ones. The country produces large quantities of sheep, cattle, poultry, and seafood which serve as a base for the cuisine.

The Moroccan Kitchen
The Moroccans are quick to point out that the best meals are found not in the restaurants but in the homes. In this land of good and abundant food, the emphasis is clearly on preparing your own. It is worth mentioning that women do virtually all of the cooking in this very traditional country. Being at the crossroads of many civilizations, the cuisine of Morocco has been influenced by the native Berber cuisine, the Arabic Andalusian cuisine; brought by the Moriscos when they left Spain, the Turkish cuisine from the Turkish and the Middle Eastern cuisines brought by the Arabs as well as the Jewish cuisine.

The history of Morocco is reflected in its cuisine. Political refugees left Baghdad in the middle Ages and settled in Morocco, bringing with them traditional recipes that are now common in Morocco, but forgotten in the Middle East. We know this because there are striking similarities between a 12th century (Christian reckoning) collection of recipes by Al-Baghdadi, and contemporary Moroccan dishes. A signature characteristic is cooking fruit with meat, such as quince with lamb, or apricots with chicken. Further influences upon Moroccan cuisine came from the Morisco (Muslim refugees), who were expelled from Spain during the Spanish inquisition.

The strong Arab influence found in two of the royal cities, Fez and Marrakech, contributed greatly to Moroccan cuisine, as did the Andalusian sensibilities of Tetuan and the Jewish traditions from the coastal city of Essaouira. Aspects of all of these cultures can be found in four of the best-loved Moroccan dishes: couscous, plumped semolina grains which are served with a variety of toppings; bisteeya, a delectable three-layer pie which is both savory and sweet and wrapped in the thinnest of pastry; mechoui, tender roasted lamb; and djej emshmel, succulent roasted chicken cooked with olives and lemon.

The midday meal is the main meal, with the exception of the holy month of Ramadan. The typical formal meal begins with a series of hot and cold salads, followed by a tagine. Bread is eaten with every meal. Often a lamb or chicken dish is next, followed by couscous topped with meats and vegetables. A cup of sweet mint tea is commonly used to end the meal.

The main Moroccan dish most people are familiar with is couscous, which is very old and is probably of Berber origin.

Beef is the most commonly eaten red meat in Morocco. Lamb is preferred, but is not as common due to its higher cost. Poultry was historically used and the importance of seafood is increasing in Moroccan food. The breed of sheep in North Africa has much of its fat concentrated in its tail, which means that Moroccan lamb does not have the pungent flavor that Western lamb and mutton can have.

Traditional Moroccan dishes

Bistteeya, Basteela, or Pastilla (Layered Pigeon or Chicken Pie)
This rich sweet pie is built with many layers of the thin pancakes called Warka. Filo may be substituted, as it is nearly impossible to replicate those slim, griddle wonders. The meat is mixed with eggs, herbs, spices and almonds, and is cooked on the stove top, then topped with a sugar icing and cinnamon.

Chakchouka (Tunisian Eggs)
This is a lunch or light meal made in one pan. Peppers, garlic, cumin and tomatoes are cooked with harissa and olive oil, then eggs are fried gently among the cooked vegetables.

Ferakh Maamer (Spring Chicken with Couscous Stuffing)
Young chickens are stuffed with a sweet couscous stuffing, enhanced with almonds, raisins, orange water, and sugar. The birds are then simmered slowly in a large casserole in a sauce of honey, onion, garlic, ginger, cinnamon, and saffron.

Tagine Barrogog bis Basela (Lamb Tagine with Prunes)

Lamb is simmered slowly with onion, garlic, ginger, saffron and parsley, to which are added prunes, cinnamon, honey, and orange blossom water.

Dessert
Sweets are not usually served at the end of a Moroccan meal. Seasonal fruits are typically served. A common dessert is kaab el ghzal ("gazelle's horns"), which is a pastry stuffed with almond paste and topped with sugar.

Halwa Shebakia
A honey cake, which is essentially pretzel-shaped pieces of dough deep-fried and dipped into a hot pot of honey and sprinkled with sesame seeds. Halwa Shebakia are cookies eaten during the month of Ramadan. Zucre Coco are coconut fudge cakes. Halva may also be made from a variety of other ingredients, including sunflower seeds, various nuts, beans, lentils, and vegetables—such as carrots, pumpkins, yams, and squashes.

Most of the commonly used raw ingredients for cooking are homegrown; the mint and olives comes from Meknes; oranges and lemons are from Fez and prickly pear comes from Casablanca.

They also grow almonds, dates, chestnuts, walnuts, cherries, melons and pomegranates. The Atlantic coast of Morocco provides some world class seafood and they raise lamb and poultry on the higher grounds. In the market places you can find homegrown produce that’s all organic all the time.
Though all year long you can find great produce in Morocco such as eggplant, peppers, onions, squash, almonds, pumpkins, fava beans, lentils and lemons, there are crops for every season. In spring they have the best; apricots, strawberries, cherries and kiwis and even peaches. In summer you will find the best; watermelon, wild artichokes and tomatoes. Fall brings; figs, pomegranates and grapes. In the winter; oranges, mandarins, onions, beets, potatoes, and carrots.

Morrocan Tea
The most popular drink is green tea with mint. Traditionally, making good mint tea in Morocco is considered an art form and the drinking of it with friends and family members is one of the important rituals of the day. The technique of pouring the tea is as crucial as the quality of the tea. The tea is accompanied with hard sugar cones or lumps. Tea is one of the most endearing parts of the Moroccan culture that one can experience on a visit to this mysterious country. It is part of everyday life, several times a day and is a large part of the hospitality that Moroccans pride themselves on.
Moroccan mint tea consists of Chinese green gunpowder tea, fresh mint leaves, usually spearmint, and many cubes of sugar. Teapots are metal with strainer holes at the base of the spout. Moroccan tea pots have long, curved pouring spouts and this allows the tea to be poured evenly into tiny glasses from a height. The green tea is put in the pot with fresh mint and some sugar.
To acquire the optimum taste, glasses are filled in two stages.When serving, it's traditional to pour a glass of tea and then pour that tea back into the pot so that the sugar is properly mixed into the entire pot. As the tea is poured, the server raises the pot to make a long stream of tea flowing into the small glass, adding flair to the ceremony. The Moroccans traditionally like tea with bubbles, so while pouring they hold the teapot high above the glasses. Sugar is often offered to further sweeten your half glass of tea. A half glass is normally served so that you can hold it in your hand without it burning. Since the teapots are metal, ranging from aluminum, to stainless steel, to silver, to brass, they get quite hot. Hot pot holders in the shape of a little man with a red fez are used to hold the hot handle. Many foreigners don't like the sweetness of the tea as it is considered extremely sweet. It does have a much sweeter taste to those who would usually add milk or sugar however none is needed for this flavorful beverage at all. You can also buy it as loose tea from all kinds of markets around the country for various prices. Another wonderful part of the tea culture in Morocco is the range of decorative tea glasses. There are mass produced glasses and there are also delicately hand-painted glasses by artisans. You can enjoy seeing the different designs inspired by the Arabic culture, architecture and also surroundings.

Dining Etiquette
If you are invited to a Moroccan's house:
~You should remove your shoes.
~Dress smartly. Doing so demonstrates respect towards your hosts.
~Check to see if your spouse is included in the invitation. Conservative Moroccans may not entertain mixed-sex groups.
~Shake everyone's hand individually.
~Watch your table manners!
~Food is generally served at a knee-high round table.
~The guest of honor generally sits next to the host.
~A washing basin will be brought to the table before the meal is served. Hold your hands over the basin while water is poured over them. Dry your hands on the towel provided.
~Do not begin eating until the host blesses the food or begins to eat.
~Food is served from a communal bowl.
~Eat from the section of the bowl that is in front of you. Never reach across the bowl to get something from the other side. As an honored guest, choice cuts will be put in front of you.
Scoop the food with a piece of bread or the thumb and first two fingers of the right hand.
~Eat and drink only with the right hand.
~Do not wipe your hands on your napkin.
~Water is often served from a communal glass. If you want your own glass, ask for a soft drink.
The washing basin will be brought around the table again at the end of the meal.
~Expect to be urged to take more food off the communal plate. Providing an abundance of food is a sign of hospitality.

Well that's about all I've got for ya so, 'here's looking at you kid.....'

Bon Appetit!

Lou